Little Women

by Louisa May Alcott, Elaine Showalter (Editor), Siobhán Kilfeather (Noted by), Vinca Showalter (Noted by)

Overview

The illustrations for this series were created by Scott McKowen, who, with his wife Christina Poddubiuk, operates Punch & Judy Inc., a company specializing in design and illustration for theater and performing arts. Their projects often involve research into the visual aspects of historical settings and characters. Christina is a theater set and costume designer and contributed advice on the period clothing for the illustrations.

Scott created these drawings in scratchboard ­ an engraving medium which evokes the look of popular art from the period of these stories. Scratchboard is an illustration board with a specifically prepared surface of hard white chalk. A thin layer of black ink is rolled over the surface, and lines are drawn by hand with a sharp knife by scraping through the ink layer to expose the white surface underneath. The finished drawings are then scanned and the color is added digitally.

The beautiful Meg, artistic tomboy Jo, doomed Beth, and selfish Amy: since the publication of Little Women in 1869, these four sisters have become America’s most beloved literary siblings. Louisa May Alcott’s rich and realistic portrait has inspired three movies and stirred the emotions of countless young girls. Set in New England during the Civil War, the novel follows the adventures of the March sisters as they struggle to pursue their dreams.

Product Details

ISBN-13:	9780140390698
Publisher:	Penguin Publishing Group
Publication date:	01/01/1989
Series:	Penguin Classics Series
Edition description:	Reprint
Pages:	544
Sales rank:	64,462
Product dimensions:	5.10(w) x 7.72(h) x 0.93(d)
Lexile:	1300L (what's this?)
Age Range:	9 - 14 Years

About the Author

Louisa May Alcott was born in Pennsylvania, in 1832, the second of four daughters. After a period of serving as an army nurse, she published Hospital Sketches in 1863, followed by Gothic Romances and lurid thrillers. In 1868-9, she published Little Women, which proved so popular that it was followed by two sequels and several other novels. She died in 1888.

Elaine Showalter is the author of the groundbreaking A Literature of Their Own and editor of Little Women for Penguin Classics.

Read an Excerpt

Playing Pilgrims


"Christmas won't be Christmas without any presents,"grumbled Jo, lying on the rug.

"It's so dreadful to be poor!"sighed Meg, looking down at her old dress.

"I don't think it's fair for some girls to have lots of pretty things, and other girls nothing at all," added little Amy, with an injured sniff.

"We've got father and mother, and each other, anyhow,"said Beth, contentedly, from her corner.

The four young faces on which the firelight shone brightened at the cheerful words, but darkened again as Jo said sadly?

"We haven't got father, and shall not have him for a long time." She didn't say "perhaps never,"but each silently added it, thinking of father far away, where the fighting was.

Nobody spoke for a minute; then Meg said in an altered tone, "You know the reason mother proposed not having any presents this Christmas, was because it's going to be a hard winter for every one; and she thinks we ought not to spend money for pleasure, when our men are suffering so in the army. We can't do much, but we can make our little sacrifices, and ought to do it gladly. But I am afraid I don't;"and Megshook her head, as she thought regretfully of all the pretty things she wanted.

"But I don't think the little we should spend would do any good. We've each got a dollar, and the army wouldn't be much helped by our giving that. I agree not to expect anything from mother or you, but I do want to buy Undine and Sintram for myself; I've wanted it so long,'said Jo, who was a bookworm.

"I planned to spend mine in new music,"said Beth, with a little sigh, which no one heard but the hearth-brush and kettle-holder.

"I shall get a nice box of Faber's drawing pencils; I really need them," said Amy, decidedly.

"Mother didn't say anything about our money, and she won't wish us to give up everything. Let's each buy what we want, and have a little fun; I'm sure we grub hard enough to earn it,"cried Jo, examining the heels of her boots in a gentlemanly manner.

"I know I do, teaching those dreadful children nearly all day, when I'm longing to enjoy myself at home," began Meg, in the complaining tone again.

"You don't have half such a hard time as I do," said Jo. "How would you like to be shut up for hours with a nervous, fussy old lady, who keeps you trotting, is never satisfied, and worries you till you''e ready to fly out of the window or box her ears?"

"It's naughty to fret, but I do think washing dishes and keeping things tidy is the worst work in the world. It makes me cross; and my hands get so stiff, I can't practise good a bit." And Beth looked at her rough hands with a sigh that any one could hear that time.

"I don't believe any of you suffer as I do," cried Amy; "for you don't have to go to school with impertinent girls, who plague you if you don't know your lessons, and laugh at your dresses, and label your father if he isn't rich, and insult you when your nose isn't nice."

"If you mean libel I'd say so, and not talk about labels, as if pa was a pickle-bottle," advised Jo, laughing.

Table of Contents

	Introduction	vii
	Suggestions for Further Reading	xxix
	A Note on the Text	xxxi
	Little Women
	Preface	xxxv
Part I1
Part II236
	Notes	493

Reading Group Guide

1. In the first two chapters, the girls use John Bunyan's The Pilgrim's Progress as a model for their own journey to becoming "little women." What was Alcott trying to say by using such a strongly philosophical piece of literature as the girls' model?

2. What purpose does Beth's death serve? Was Alcott simply making a sentimental novel even more so, or was this a play on morality and philosophy? Do you think Beth was intended to be a Christ figure?

3. Consider the fact that Beth will never reach sexual maturity or marry. What do you think this says about the institution of marriage and, more important, about womanhood?

4. Consider Jo's writing: While we are treated to citations from "The Pickwick Portfolio" and the family's letters to one another, we are never presented with an excerpt from Jo's many literary works, though the text tells us they are quite successful. Why is this?

5. Do you find it surprising that once Laurie is rejected by Jo, he falls in love with Amy? Do you feel his characterization is complete and he is acting within the "norm" of the personality Alcott has created for him, or does Alcott simply dispose of him once our heroine rejects him?

6. Some critics argue that the characters are masochistic. Meg is the perfect little wife, Amy is the social gold digger, and Beth is the eternally loving and patient woman. Do you believe these characterizations are masochistic? If so, do you think Alcott could have characterized them any other way while maintaining the realism of the society she lived in? And if this is true, what of Jo's character?

7. The last two chapters find Jo setting aside her budding literary career to run a school with her husband. Why do you think Alcott made her strongest feminine figure sacrifice her own life plans for her husband's?

8. Alcott was a student of transcendentalism. How and where does this philosophy affect Alcott's writing, plot, and characterization?

9. Do you believe this is a feminine or a feminist piece of work?

Interviews

"I am not afraid of storms, for I am learning how to sail my ship." — Louisa May Alcott (quote from Little Women)

Editorial Reviews

"The American female myth."
—Madelon Bedell

From the Publisher

I am very impressed with the Classics for Young Readers and Guides. The reader will be inspired by these rediscovered gems and will find himself a better thinker in the bargain. The Christian community needs this material!

Dr. Jim Stobaugh

Recently I revisited Little Women, a book I’d read perhaps three dozen times in childhood. Reading again from a perspective of adulthood, I saw the profound influence this book has had on my morals, my values, my longing, and my dreams.

Karen Wojahn

Anne Hiebert Alton's edition for Broadview is unique in supplementing the text with Alcott's sources for and correspondence about the novel, with those of Alcott’s works that she attributes to Jo and her sisters, selections from the text that she alludes to most frequently, such as Pilgrim's Progress, and excerpts that demonstrate Alcott's feminism. A number of these selections are not readily accessible elsewhere, and some will prove unfamiliar even to Alcott scholars. Alton and Broadview are to be commended for bringing them together in a single volume.

Elizabeth Keyser Hollins University

Broadview Press’s Little Women provides a definitive text along with the most comprehensive historical overview yet offered. Alton not only gives us a text based on the first edition, she also presents the genesis and development of Alcott’s most famous novel using the author’s own public and private writings. For the first time in one edition, we now have the complete story of the March family! It is a wonderful scholarly achievement that has long been overdue.

Daniel Shealy University of North Carolina at Charlotte

Gr 7 Up—Kate Reading breathes new life into Louisa May Alcott's classic coming-of-age tale about the March sisters growing up in New England during the Civil War. The emotional and physical changes that all of the characters experience are skillfully presented in a narration that draws listeners into the world Alcott created. On just a few occasions the voicing is not entirely distinct and the story momentum slows, but for the most part, the narration is very well done. This version is sure to inspire a new generation of listeners.—Stephanie A. Squicciarini, Fairport Public Library, NY

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