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|Edition description:||Spanish-language Edition|
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About the Author
Hometown:Brooklyn, New York
Date of Birth:January 6, 1956
Place of Birth:Portland, Maine
Education:B.A., Bates College, 1977; J.D., Syracuse College of Law, 1982
Read an Excerpt
For many years Henry Kitteridge was a pharmacist in the next town over, driving every morning on snowy roads, or rainy roads, or summertime roads, when the wild raspberries shot their new growth in brambles along the last section of town before he turned off to where the wider road led to the pharmacy. Retired now, he still wakes early and remembers how mornings used to be his favorite, as though the world were his secret, tires rumbling softly beneath him and the light emerging through the early fog, the brief sight of the bay off to his right, then the pines, tall and slender, and almost always he rode with the window partly open because he loved the smell of the pines and the heavy salt air, and in the winter he loved the smell of the cold.
The pharmacy was a small two-story building attached to another building that housed separately a hardware store and a small grocery. Each morning Henry parked in the back by the large metal bins, and then entered the pharmacy’s back door, and went about switching on the lights, turning up the thermostat, or, if it was summer, getting the fans going. He would open the safe, put money in the register, unlock the front door, wash his hands, put on his white lab coat. The ritual was pleasing, as though the old store—with its shelves of toothpaste, vitamins, cosmetics, hair adornments, even sewing needles and greeting cards, as well as red rubber hot water bottles, enema pumps—was a person altogether steady and steadfast. And any unpleasantness that may have occurred back in his home, any uneasiness at the way his wife often left their bed to wander through their home in the night’s dark hours—all this receded like a shoreline as he walked through the safety of his pharmacy. Standing in the back, with the drawers and rows of pills, Henry was cheerful when the phone began to ring, cheerful when Mrs. Merriman came for her blood pressure medicine, or old Cliff Mott arrived for his digitalis, cheerful when he prepared the Valium for Rachel Jones, whose husband ran off the night their baby was born. It was Henry’s nature to listen, and many times during the week he would say, “Gosh, I’m awful sorry to hear that,” or “Say, isn’t that something?”
Inwardly, he suffered the quiet trepidations of a man who had witnessed twice in childhood the nervous breakdowns of a mother who had otherwise cared for him with stridency. And so if, as rarely happened, a customer was distressed over a price, or irritated by the quality of an Ace bandage or ice pack, Henry did what he could to rectify things quickly. For many years Mrs. Granger worked for him; her husband was a lobster fisherman, and she seemed to carry with her the cold breeze of the open water, not so eager to please a wary customer. He had to listen with half an ear as he filled prescriptions, to make sure she was not at the cash register dismissing a complaint. More than once he was reminded of that same sensation in watching to see that his wife, Olive, did not bear down too hard on Christopher over a homework assignment or a chore left undone; that sense of his attention hovering—the need to keep everyone content. When he heard a briskness in Mrs. Granger’s voice, he would step down from his back post, moving toward the center of the store to talk with the customer himself. Otherwise, Mrs. Granger did her job well. He appreciated that she was not chatty, kept perfect inventory, and almost never called in sick. That she died in her sleep one night astonished him, and left him with some feeling of responsibility, as though he had missed, working alongside her for years, whatever symptom might have shown itself that he, handling his pills and syrups and syringes, could have fixed.
“Mousy,” his wife said, when he hired the new girl. “Looks just like a mouse.”
Denise Thibodeau had round cheeks, and small eyes that peeped through her brown-framed glasses. “But a nice mouse,” Henry said. “A cute one.”
“No one’s cute who can’t stand up straight,” Olive said. It was true that Denise’s narrow shoulders sloped forward, as though apologizing for something. She was twenty-two, just out of the state university of Vermont. Her husband was also named Henry, and Henry Kitteridge, meeting Henry Thibodeau for the first time, was taken with what he saw as an unself-conscious excellence. The young man was vigorous and sturdy-featured with a light in his eye that seemed to lend a flickering resplendence to his decent, ordinary face. He was a plumber, working in a business owned by his uncle. He and Denise had been married one year.
“Not keen on it,” Olive said, when he suggested they have the young couple to dinner. Henry let it drop. This was a time when his son—not yet showing the physical signs of adolescence—had become suddenly and strenuously sullen, his mood like a poison shot through the air, and Olive seemed as changed and changeable as Christopher, the two having fast and furious fights that became just as suddenly some blanket of silent intimacy where Henry, clueless, stupefied, would find himself to be the odd man out.
But standing in the back parking lot at the end of a late summer day, while he spoke with Denise and Henry Thibodeau, and the sun tucked itself behind the spruce trees, Henry Kitteridge felt such a longing to be in the presence of this young couple, their faces turned to him with a diffident but eager interest as he recalled his own days at the university many years ago, that he said, “Now, say. Olive and I would like you to come for supper soon.”
He drove home, past the tall pines, past the glimpse of the bay, and thought of the Thibodeaus driving the other way, to their trailer on the outskirts of town. He pictured the trailer, cozy and picked up—for Denise was neat in her habits—and imagined them sharing the news of their day. Denise might say, “He’s an easy boss.” And Henry might say, “Oh, I like the guy a lot.”
He pulled into his driveway, which was not a driveway so much as a patch of lawn on top of the hill, and saw Olive in the garden. “Hello, Olive,” he said, walking to her. He wanted to put his arms around her, but she had a darkness that seemed to stand beside her like an acquaintance that would not go away. He told her the Thibodeaus were coming for supper. “It’s only right,” he said.
Olive wiped sweat from her upper lip, turned to rip up a clump of onion grass. “Then that’s that, Mr. President,” she said. “Give your order to the cook.”
On Friday night the couple followed him home, and the young Henry shook Olive’s hand. “Nice place here,” he said. “With that view of the water. Mr. Kitteridge says you two built this yourselves.”
“Indeed, we did.”
Christopher sat sideways at the table, slumped in adolescent gracelessness, and did not respond when Henry Thibodeau asked him if he played any sports at school. Henry Kitteridge felt an unexpected fury sprout inside him; he wanted to shout at the boy, whose poor manners, he felt, revealed something unpleasant not expected to be found in the Kitteridge home.
“When you work in a pharmacy,” Olive told Denise, setting before her a plate of baked beans, “you learn the secrets of everyone in town.” Olive sat down across from her, pushed forward a bottle of ketchup.
“Have to know to keep your mouth shut. But seems like you know how to do that.”
“Denise understands,” Henry Kitteridge said.
Denise’s husband said, “Oh, sure. You couldn’t find someone more trustworthy than Denise.”
“I believe you,” Henry said, passing the man a basket of rolls. “And please. Call me Henry. One of my favorite names,” he added. Denise laughed quietly; she liked him, he could see this.
Christopher slumped farther into his seat.
Henry Thibodeau’s parents lived on a farm inland, and so the two Henrys discussed crops, and pole beans, and the corn not being as sweet this summer from the lack of rain, and how to get a good asparagus bed.
“Oh, for God’s sake,” said Olive, when, in passing the ketchup to the young man, Henry Kitteridge knocked it over, and ketchup lurched out like thickened blood across the oak table. Trying to pick up the bottle, he caused it to roll unsteadily, and ketchup ended up on his fingertips, then on his white shirt.
“Leave it,” Olive commanded, standing up. “Just leave it alone, Henry. For God’s sake.” And Henry Thibodeau, perhaps at the sound of his own name being spoken sharply, sat back, looking stricken.
“Gosh, what a mess I’ve made,” Henry Kitteridge said.
For dessert they were each handed a blue bowl with a scoop of vanilla ice cream sliding in its center. “Vanilla’s my favorite,” Denise said.
“Is it,” said Olive.
“Mine, too,” Henry Kitteridge said.
Reading Group Guide
1. Do you like Olive Kitteridge as a person?
2. Have you ever met anyone like Olive Kitteridge, and if so, what similarities do you see between that person and Olive?
3. How would you say Olive changed as a person during the course of the book?
4. Discuss the theme of suicide. Which characters are most affected (or fascinated) by the idea of killing themselves?
5. What freedoms do the residents of Crosby, Maine, experience in contrast with those who ﬂee the town for bigger “ponds” (California, New York)? Does anyone feel trapped in Crosby, and if so, who? What outlets for escape are available to them?
6. Why does Henry tolerate Olive as much as he does, catering to her, agreeing with her, staying even-keeled when she rants and raves? Is there anyone that you tolerate despite their sometimes overbearing behavior? If so, why?
7. How does Kevin (in “Incoming Tide”) typify a child craving his father’s approval? Are his behaviors and mannerisms any way like those of Christopher Kitteridge? Do you think Olive reminds Kevin more of his mother or of his father?
8. In “A Little Burst,” why do you think Olive is so keen on having a positive relationship with Suzanne, whom she obviously dislikes? How is this a reﬂection of how she treats other people in town?
9. Does it seem ﬁtting to you that Olive would not respond while others ridiculed her body and her choice of clothing at Christopher and Suzanne’s wedding?
10. How do you think Olive perceives boundaries and possessiveness, especially in regard to relationships?
11. Elizabeth Strout writes, “The appetites of the body were private battles” (“Starving,” page 89). In what ways is this true? Are there “appetites” that could be described as battles waged in public? Which ones, and why?
12. Why does Nina elicit such a strong reaction from Olive in “Starving”? What does Olive notice that moves her to tears in public? Why did witnessing this scene turn Harmon away from Bonnie?
13. In “A Different Road,” Strout writes about Olive and Henry: “No, they would never get over that night because they had said things that altered how they saw each other” (p. 124). What is it that Olive and Henry say to each other while being held hostage in the hospital bathroom that has this effect? Have you experienced a moment like this in one of your close relationships?
14. In “Tulips” and in “Basket of Trips,” Olive visits people in difﬁcult circumstances (Henry in the convalescent home, and Marlene Bonney at her husband’s funeral) in hopes that “in the presence of someone else’s sorrow, a tiny crack of light would somehow come through her own dark encasement” (p. 172). In what ways do the tragedies of others shine light on Olive’s trials with Christopher’s departure and Henry’s illness? How do those experiences change Olive’s interactions with others? Is she more compassionate or more indifferent? Is she more approachable or more guarded? Is she more hopeful or more pessimistic?
15. In “Ship in a Bottle,” Julie is jilted by her ﬁancé, Bruce, on her wedding day. Julie’s mother, Anita, furious at Bruce’s betrayal, shoots at him soon after. Julie quotes Olive Kitteridge as having told her seventh-grade class, “Don’t be scared of your hunger. If you’re scared of your hunger, you’ll just be one more ninny like everyone else” (p. 195). What do you think Olive means by this phrase? How does Olive’s life reﬂect this idea? Who is afraid of his or her hunger in these stories?
16. In “Security,” do you get the impression that Olive likes Ann, Christopher’s new wife? Why does she excuse Ann’s smoking and drinking while pregnant with Christopher’s ﬁrst child (and Henry’s ﬁrst grandchild)? Why does she seem so accepting initially, and what makes her less so as the story goes on?
17. Was Christopher justiﬁed in his ﬁght with Olive in “Security”? Did he kick her out, or did she voluntarily leave? Do you think he and Ann are cruel to Olive?
18. Do you think Olive is really oblivious to how others see her– especially Christopher? Do you think she found Christopher’s accusations in “Security” shocking or just unexpected?
19. What’s happened to Rebecca at the end of “Criminal”? Where do you think she goes, and why do you think she feels compelled to go? Do you think she’s satisﬁed with her life with David? What do you think are the reasons she can’t hold down a job?
20. What elements of Olive’s personality are revealed in her relationship with Jack Kennison in “River”? How does their interaction reﬂect changes in her perspective on her son? On the way she treated Henry? On the way she sees the world?