Shanghai is under siege in this captivating and searingly romantic sequel to These Violent Delights, which New York Times bestselling author Natasha Ngan calls “deliciously dark.”
The year is 1927, and Shanghai teeters on the edge of revolution.
After sacrificing her relationship with Roma to protect him from the blood feud, Juliette has been a girl on a mission. One wrong move, and her cousin will step in to usurp her place as the Scarlet Gang’s heir. The only way to save the boy she loves from the wrath of the Scarlets is to have him want her dead for murdering his best friend in cold blood. If Juliette were actually guilty of the crime Roma believes she committed, his rejection might sting less.
Roma is still reeling from Marshall’s death, and his cousin Benedikt will barely speak to him. Roma knows it’s his fault for letting the ruthless Juliette back into his life, and he’s determined to set things right—even if that means killing the girl he hates and loves with equal measure.
Then a new monstrous danger emerges in the city, and though secrets keep them apart, Juliette must secure Roma’s cooperation if they are to end this threat once and for all. Shanghai is already at a boiling point: The Nationalists are marching in, whispers of civil war brew louder every day, and gangster rule faces complete annihilation. Roma and Juliette must put aside their differences to combat monsters and politics, but they aren’t prepared for the biggest threat of all: protecting their hearts from each other.
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The New Year in Shanghai passed with such fanfare that a sense of party still permeated the city a week later. It was the way the people moved about—the extra bounce in their toes and the twinkle in their eye as they leaned over the seats of the Grand Theatre to whisper to their companion. It was loud jazz music audible from the cabaret across the street, the cool air of handheld bamboo fans waving about in rapid color, the smell of something fried smuggled into the viewing room despite Screen One’s strict rules. Marking the first day of the Gregorian calendar as a time for celebration was a Western matter, but the West had long stuck its roots into this city.
The madness in Shanghai was gone. The streets had been lulled back into uproarious decadence and nights that went on and on—like this one, where theatergoers could watch a picture and then saunter along the Huangpu River until sunrise. After all, there was no monster lurking in the waters anymore. It had been four months since the monster of Shanghai died, shot to death and left to rot on a wharf by the Bund. Now the only thing civilians needed to worry about were gangsters… and the increasing number of bullet-hole-ridden corpses showing up on the streets.
Juliette Cai peered over the railing, squinting down at the ground level of Screen One. From her vantage point, she could see almost everything below, could pick out every minuscule detail among the chaos broiling under the golden light fixtures. Unfortunately, it would have been more useful if she were actually down there herself, mingling with the merchant she had been sent here for, rather than staring at him from high above. Their seats tonight were the best that she could do; the assignment had been given far too last minute for Juliette to finagle something good in the thick of the socializing sphere.
“Are you going to be pulling that face all night?”
Juliette swiveled around, narrowing her eyes at her cousin. Kathleen Lang was trailing close, her mouth set in a grimace while the people around them searched for their seats before the picture started.
“Yes,” Juliette grumbled. “I have so many better things to be doing right now.”
Kathleen rolled her eyes, then wordlessly pointed ahead, having spotted the seats marked on their tickets. The stubs in her hands were ripped poorly after the uniformed ticket boy at the door got his top hat knocked into his eyes by the crowd surging into the portico. He had hardly a moment to recover before more tickets were waved in his face, foreigners and rich Chinese alike sniffing their noses at the slow speed. In places like these, better service was expected. Ticket prices were sky-high to make the Grand Theatre an experience, what with its arched ceiling beams and wrought-iron railings, its Italian marble and delicate doorway lettering—only in English, no Chinese to be found.
“What could possibly be more important than this?” Kathleen asked. They took their seats: the front-most row by the second-level railing, a perfect view of both the screen and all the people beneath. “Staring angrily at your bedroom wall, as you have been doing these few months?”
Juliette frowned. “I have not been doing merely that.”
“Oh, pardon me. How could I forget screaming at politicians?”
Huffing, Juliette leaned back into her seat. She crossed her arms tightly over her chest, the beads along her sleeves clinking loudly against the beads dangling from her front. Grating as the sound was, it contributed only a small fraction to the general bedlam of the theater.
“Bàba is already giving me enough grief for upsetting that Nationalist,” Juliette grumbled. She started to take inventory of the crowd below, mentally assigning names to faces and keeping track of who might notice that she was here. “Don’t you get on my case too.”
Kathleen tutted, setting her elbow onto the armrest between them. “I’m only concerned, biaomèi.”
“Concerned about what? I’m always screaming at people.”
“Lord Cai doesn’t reprimand you often. I think that might be an indicator of—”
Juliette lurched forward. Out of sheer instinct, a gasp rose in her throat, but she refused to let it out, and instead the sound lodged itself tightly in place, an ice-cold sensation pressed up against the back of her tongue. Kathleen immediately jerked to attention too, searching the floor below for whatever it was that had drained Juliette’s face utterly of blood.
“What?” Kathleen demanded. “What is it? Do I call for backup?”
“No,” Juliette whispered, swallowing hard. The theater dimmed. Taking their cue, the ticket boys started to walk the aisles, forcing the crowd to settle for the picture. “It is only a small hiccup.”
Her cousin’s brows were furrowed, still searching. “What is it?” Kathleen repeated.
Juliette simply pointed. She watched as Kathleen followed the direction in which she was indicating, watched as the realization set in when they were both looking at one figure pushing his way through the crowd.
“It would appear we were not the only ones sent here for a task.”
Because down on the ground level, looking like he had not a care in the world, Roma Montagov smiled and stopped in front of the merchant they were after, extending his hand for the merchant to shake.
Juliette curled her fists tightly into her lap.
She had not seen Roma since October, since the first protests in Nanshi shook the city and set the precedent for those that were to follow when winter swept into Shanghai. She had not seen his physical person, but she had felt his presence everywhere: in the corpses littered across the city with lily-white flowers clutched in their stiff hands; in the business partners disappearing out of the blue with nary a message or explanation; in the blood feud making its mark. Ever since the city caught wind of a confrontation between Roma Montagov and Tyler Cai, the blood feud had shot back into its most terrible heights. Neither gang needed to worry about their numbers being picked off by the madness anymore. Instead their thoughts circled retribution, and honor, and as different mouths ran different accounts of what had happened between the inner circles of the Scarlet Gang and the White Flowers that day, the only definitive truths that came out were this: in a tiny hospital along the edges of Shanghai, Roma Montagov had shot at Tyler Cai, and to protect her cousin, Juliette Cai had killed Marshall Seo in cold blood.
Now both sides were vengeful. Now the White Flowers were pressing down on the Scarlet Gang with a renewed urgency, and the Scarlet Gang were fighting back just as hard. They had to. No matter how carefully the Scarlets cooperated with the Nationalists, every single person in this city could feel something shifting, could see the gatherings grow larger and larger each time the Communists attempted a strike. The political landscape was soon to change, soon to swallow up this way of lawlessness, and for both gangs currently ruling this city with an iron fist, it was either to be violent now and secure their holdings, or regret it later should a greater power swoop in when there was no way to win territory back.
“Juliette,” Kathleen said softly. Her cousin’s eyes shifted back and forth between her and Roma. “What happened between you two?”
Juliette didn’t have an answer to give, just as she hadn’t had an answer all the other times she was asked this question. Kathleen deserved a better explanation, deserved to know why the city was saying Juliette had shot Marshall Seo point-blank when she had once been so friendly with him, why Roma Montagov was dropping flowers everywhere he went in mockery of the feud’s victims when he had once been so gentle with Juliette. But one more person in on the secret was one more person dragged down into the mess. One more target for Tyler’s scrutiny—one more target for Tyler’s gun.
Better to speak none of it. Better to pretend and pretend until maybe, just maybe, there came some chance to salvage the fractured state this city had fallen into.
“The picture is starting,” Juliette said in lieu of a reply.
“Juliette,” Kathleen insisted.
Juliette gritted her teeth hard. She wondered if her tone still fooled anyone. In New York, she had been so good at lying, so good at playing pretend as an utterly different person. These last months had been wearing her down until there was nothing left of her but… her.
“He’s not doing anything. Look, he’s taking his seat.”
Indeed, Roma appeared to be walking away from the merchant after a mere greeting, settling into an end seat two rows behind. This did not have to be a big deal. They did not need to engage in a confrontation. Juliette could quietly keep an eye on him from where she sat and make sure she approached the merchant first when intermission came. It was a surprise that she had even been sent after a merchant. The Scarlet Gang rarely chased after new clientele; they waited for clientele to come to them. But this merchant did not dabble in drugs like the rest of them. He had sailed into Shanghai last week carrying British technology—heavens knew what kind; her parents had not been specific in their briefing, save that it was some sort of weaponry and the Scarlet Gang wanted to acquire his inventory.
If the White Flowers were trying to get in on it too, then it had to be something big. Juliette made a note to ask for details as soon as she got home.
The lights went dark. Kathleen glanced over her shoulder, fingers twisting into the loose sleeves of her coat.
“Relax,” Juliette whispered. “What you’re about to watch came directly from its premiere in Manhattan. Quality entertainment.”
The picture started. Screen One was the largest viewing room in the whole Grand Theatre, its orchestral sound booming from all sides. Each seat was equipped with its own translation system, reading out the text that appeared alongside the silent film. The couple to Juliette’s left were wearing their earpieces, murmuring excitedly to each other as the lines filtered through in Chinese. Juliette didn’t need her earpiece, not just because she could read English, but because she wasn’t really watching the film. Her eyes, no matter how much she tried, kept wandering down.
Don’t be a fool, Juliette scolded herself. She had tipped herself into this situation at full speed. She would not regret it. It was what had needed to be done.
But still, she couldn’t stop looking.
It had been only three months, but Roma had changed. She already knew that, of course, from the reports that came back to her about dead gangsters with Korean characters slashed in blood beside them. From the bodies piling up farther and farther inward into Scarlet territory lines, as if the White Flowers were testing the limits they could encroach upon. It was unlikely that Roma had sought out Scarlets specifically for vengeance killings—he didn’t have it in him to go that far—but each time a conflict erupted, the message left behind was clear: This is your doing, Juliette.
It was Juliette who had escalated the feud, who had pulled the trigger on Marshall Seo and told Roma to his face that whatever happened between them had been nothing but a lie. So now all the blood left in his wake was his revenge.
He looked the part too. At some point, he had traded his dark suits for lighter colors: for a cream jacket and a golden tie, for cuff links that caught the light each time the screen flashed white. His posture was sharp, no more slouching to feign casual, no more stretching his legs long so he could slump into the chair and avoid being seen by anyone giving the room a cursory glance.
Roma Montagov wasn’t the heir scheming in the shadows anymore. It seemed that he was sick of the city seeing him as the one slitting throats in the dark, the one with a heart of coal and the clothing to match.
He looked like a White Flower. He looked like his father.
A flash of movement blurred in Juliette’s peripheral vision. She blinked, pulling her gaze away from Roma and searching the seats across his aisle. For a moment, she was certain she had merely been mistaken, that perhaps a lock of hair had come undone from her front curl and fallen into her eyes. Then the screen flashed white again as a shrieking train derailed in the Wild West, and Juliette saw the figure in the audience rise.
The man’s face was cast in shadow, but the gun in his hand was very, very illuminated.
And it was pointed right at the merchant in the front row, who Juliette still needed to speak to.
“Absolutely not,” she muttered angrily, reaching for the pistol strapped to her thigh.
The screen dropped into shadows, but Juliette took aim anyway. In the second before the man could act, she pulled the trigger first with a loud bang.
Her pistol kicked. Juliette pressed back into her seat, her jaw hard as the man below dropped his weapon, his shoulder wounded. Her gunshot had hardly drawn any notice, not when there was a shoot-out going on in the picture, too, drowning out the scream coming from the man’s mouth and covering up the smoke wafting from the barrel of her pistol. Though the picture had no dialogue sound, the orchestral backing track had an uproarious cymbal banging in the background, and the theatergoers all assumed the gunshot a product of the film.
All except for Roma, who immediately swiveled around and looked up, eyes searching for the source of the gunshot.
And he found it.
Their gazes locked, the click of mutual recognition so forceful that Juliette felt a physical shift in her spine, like her body was finally righting itself into alignment after months out of configuration. She was frozen, breath caught in her throat, eyes pulled wide.
Until Roma reached into his jacket pocket and drew his gun, and Juliette had no choice but to jolt herself out of her daze. Instead of combating the would-be assassin, he had decided to shoot at her.
Three bullets whizzed by her ear. Gasping, Juliette struck the floor, her knees grazing the carpet hard as she threw herself down. The couple to her left started screaming.
The theatergoers had realized the gunshots were not a part of the soundtrack.
“Okay,” Juliette said under her breath. “He’s still mad at me.”
“What was that?” Kathleen demanded. Her cousin dropped quickly too, using the railing of the second level for cover. “Did you shoot into the seats? Was that Roma Montagov shooting back?”
Juliette grimaced. “Yes.”
It sounded like a stampede was starting on the floor below. The people on the upper level were certainly starting to panic too, hurtling out of their seats and rushing for the exit, but the two doors on either side of the theater—marked EVEN and ODD for the seat arrangements—were rather thin, and all they managed to achieve was a bottleneck situation.
Kathleen made an indecipherable noise. “He’s not doing anything… he’s taking his seat!”
“Oh, don’t mock me!” Juliette hissed.
This situation was not ideal. But she would salvage it.
She scrambled to her feet.
“Someone was trying to shoot the merchant.” Juliette made a quick glance over the railing. She didn’t see Roma anymore. She did see the merchant pulling his suit jacket tightly around his middle and securing his straw hat, trying to follow the crowds out of the theater.
“Go find who it was,” Kathleen huffed. “Your father will have your head if the merchant is killed.”
“I know you’re joking,” Juliette muttered, “but you might be right.” She pressed her pistol into her cousin’s hand and took off, calling over her shoulder, “Talk to the merchant for me! Merci!”
By now the bottleneck at the door had thinned enough that Juliette could push through, merging into the main anteroom outside the second floor of Screen One. Ladies dressed in silk qipao were screaming inconsolably at one another, and British officers were clumped together in the corner to hiss hysterics about what was going on. Juliette ignored it all, pushing and pushing to get to the stairs, to get down to the ground floor, where the merchant would be emerging.
She skidded to a stop. The main staircase was far too crowded. Her eyes darted to the side, to the maintenance stairs, and she tore the door open without a second thought, barreling right through. Juliette was familiar with this theater; it was Scarlet territory, and she had spent parts of her early childhood wandering around this building, peering into the different screening rooms when Nurse was distracted. Where the main staircase was a grandiose structure of polished flooring and arched, wooden banisters, the maintenance stairs were made of cement and void of natural light, relying on naught but a small bulb dangling at the middle landing.
Her heels clacked loudly, turning the corner of the landing. She stopped short.
Waiting there, by the door into the main lobby, was Roma, his gun raised.
Juliette supposed she had grown predictable.
“You were three paces away from the merchant,” she said. She was surprised her voice remained level. Ta ma de. There was one knife strapped to her leg, but in the time it would take to reach for it, she would be giving Roma plenty of time to shoot. “You left him just to find me? I’m flattered—”
Juliette swerved with a hiss. Her cheek radiated heat, swelling from the harrowingly close contact of the bullets that flew by her head. Before Roma could think to aim again, Juliette ran the quickest survey of her options, then dove through the door behind her, surging into the storage unit.
She wasn’t trying to escape. This was a dead end, a thin room crowded with stacked chairs and cobwebs. She only needed…
Another bullet whizzed by her arm.
“You’re going to blow this place up,” Juliette snapped, spinning around. She had come to the very end of the storage space, her back pressed to the thick pipes that ran along the walls. “Some of these pipes carry gas—put a hole in one and the whole theater bursts into flames.”
Roma was hardly threatened. It was as if he could not hear her. His eyes were narrowed, his expression scrunched. He looked unfamiliar—properly foreign, like a boy who had pulled on a costume and hadn’t expected how well it would fit. Even under the dim lights, the gold of his clothes glimmered, as bright as the twinkling billboards outside the theater.
Juliette wanted to scream, seeing what he had been made into. She could hardly catch her breath, and she would be lying if she said it was only because of her current physical exertion.
“Did you hear what I said?” Juliette eyed the distance between them. “Put that gun away—”
“Do you hear yourself?” Roma interrupted. In three strides, he was close enough to point his gun right in Juliette’s face. She could feel the heat of the barrel, hot steel an inch away from her skin. “You killed Marshall. You killed him, and it’s been months, and I haven’t heard a word of explanation from you—”
“There is no explanation.”
He thought her a monster. He thought she had hated him the whole time, so viciously that she would destroy everything he loved, and he had to think that if he was to keep his life. Juliette refused to drag him down just because she was weak-willed.
“I killed him because he needed to die,” Juliette said. Her arm whipped up. She twisted Roma’s gun away, letting it clatter at their feet. “Just as I will kill you. Just as I will not stop until you kill me—”
He slammed her into the pipes.
The effort was so forceful that Juliette tasted blood inside her lip, sliced by her own sharp teeth. She stifled a gasp and then another when Roma’s hand tightened around her throat, his eyes murderous.
Juliette was not frightened. If anything, she was only resentful—not at Roma, but at herself. At wanting to lean in even while Roma was actively trying to kill her. At this distance between them that she had willingly manufactured, because they had been born into two families at war, and she would rather die at Roma’s hand than be the cause of his death.
No one else is dying to protect me. Roma had blown up a whole house of people to keep Juliette safe. Tyler and his Scarlet men would go on a rampage in the name of defending Juliette, even if they too wanted her dead. It was all one and the same. It was this city, divided by names and colors and turfs, but somehow bleeding the exact same shade of violence.
“Go on,” Juliette said with effort.
She didn’t mean it. She knew Roma Montagov. He thought he wanted her dead, but the fact of the matter was that he never missed, and yet he had—all those bullets, embedded into the walls instead of Juliette’s head. The fact of the matter was that he had his hands around her throat and yet she could still breathe, could still inhale past the rot and the hate that his fingers tried to press into her skin.
Juliette finally reached for her blade. Just as Roma shifted forward, perhaps intent on his kill, her hand closed around the sheath beneath her dress and she pulled the weapon free, slicing down on whatever she came in contact with first. Roma hissed, releasing his hold. It was only a surface cut, but he cradled his arm to his chest, and Juliette followed close, leveling the blade to his throat.
“This is Scarlet territory.” Her words were even, but it took everything in her to keep them that way. “You forget yourself.”
Roma grew still. He stared at her, utterly unreadable as the moment drew long—long enough that Juliette almost thought he would surrender.
Only then Roma leaned into the blade instead, until the metal was pressed right into his neck, one hairsbreadth away from breaking skin and drawing blood.
“Then do it,” Roma hissed. He sounded angry.… He sounded pained. “Kill me.”
Juliette did not move. She must have hesitated for a fraction too long, because Roma’s expression morphed into a sneer.
“Why do you pause?” he taunted.
The taste of blood was still pungent inside her mouth. In a blur, Juliette flipped the blade onto its blunt end and slammed the handle to Roma’s temple. He blinked and dropped like a rock, but Juliette threw the weapon away and lunged to break his fall. As soon as her hands slid around him, she let out a small exhale of relief, stopping Roma just before his head could hit the hard floor.
Juliette sighed. In her arms, he felt so solid, more real than ever. His safety was an abstract concept when he was at a distance, far from the threats that her Scarlets posed to him. But here, with his pulse thudding through his chest and beating an even rhythm onto hers, he was just a boy, just a bloody, beating heart that could be cut out at any moment by any blade sharp enough.
“Why do you pause?” Juliette mimicked bitterly. Softly, she set him down, brushing his mussed hair out of his face. “Because even if you hate me, Roma Montagov, I still love you.”
Reading Group Guide
Reading Group Guide for
These Violent Delights
Our Violent Ends
By Chloe Gong
About the Books
Set in 1920s Shanghai, this atmospheric and intricate Romeo and Juliet–inspired duology follows eighteen-year-old Juliette Cai, who has returned from studying in America to claim her rightful place as heir to the Scarlet Gang, a local Chinese criminal network. Four years earlier, her first love, Roma Montagov, heir to the White Flowers, a Russian rival gang, committed a betrayal so deep that the ripples of vengeance still move across the city. What else could she expect from a blood feud motivated by loyalty and violence? Before she can enact her revenge, a monster ravages the city, spreading a contagion that causes murderous madness and that targets both the Scarlets and the White Flowers. On top of the pandemic, political turmoil threatens to rip the city apart and end gangster rule. As a foreign imperialist presence grows, so does the threat of civil war, spurred by both the Nationalist Party and the Communists stoking the embers of revolution among the working class, who are tired of warlord control. Juliette and Roma realize working together may be their only chance for salvation.
1. In Shakespeare’s Romeo and Juliet, Juliet cannot freely marry, not only because of the blood feud between the Montagues and the Capulets, but also because of patriarchal society in medieval Italy. How does this compare to the experiences of the female characters in 1920s Shanghai? How about in contemporary society?
2. Throughout the series, Juliette feels herself split between two worlds: the East and the West. Her family treats her like an outsider, yet in the city she blends in unless she wears flapper dresses. She wonders, “Could she never be both? Was she doomed to choose one country or the other? Be an American or nothing?” Free write for five minutes about your identities and a time you didn’t fit in. What made you feel this way? Did the feeling come from lived experience, stereotypes, or something else? Share with the class, if you’d like.
3. “[Roma] ached with the knowledge that the softness of their youth was gone forever . . .” What is meant by this? When do you think people realize they are no longer children? Does everyone grow up at the same rate? Why or why not? What does “growing up” mean to you?
4. Think about how the madness spreads and what it causes its victims to do. Considering where the insects and monsters come from and who is releasing them into the city, do you think the sickness is a metaphor? If so, for what? Does the metaphor change in book two? Be prepared to back up your answer.
5. Throughout both books, love is akin to death. At many moments, Juliette makes statements like, “‘This is why we shall not love more than we need to. Death will come for everyone in the end,’” and “Perhaps they could be together at last if it was together in death. And what was love if all it did was kill?” Consider the characters that survived in the story. Were they lacking love? Why did they get to live? Are Juliette and Roma destined to die? How might they change their fate? Explain your answers.
6. Consider the main couples and their race, gender, and sexuality. What obstacles might they face (outside of a blood feud) to be together? Have you or anyone you know dated someone family or society did not approve of? What role should family and/or society play in the person you choose to be in a relationship with?
7. “This city holds itself upright by the power of information, and its messengers work frantically, whisper passing whisper until it reaches the ears of its rival darlings.” This quote acts as foreshadowing. What examples from the text describe instances of miscommunication? Imagine the internet and electronic devices did not exist. What scenarios would be disastrous if you could not communicate instantly? Share a time a text message was misunderstood or not delivered. What problem(s) arose from the situation?
8. Juliette considers the racism she experienced in America and Shanghai due to colonizers. “They believed themselves the rulers of the world—on stolen land in America, on stolen land in Shanghai. Everywhere they went—entitlement. And Juliette was so tired.” Do you think entitlement fuels racism, imperialism, and colonization? Explain your answer. Give examples of how these systems of oppression exist today.
9. Shanghai is described as “the Paris of the East, the New York of the West.” Using examples from the text, describe how white, foreign influences shaped Shanghai as compared to the other cities in China that the characters visit. How does Shanghai’s unique culture impact how its inhabitants view themselves? What about the Chinese characters who lived in the West, like Juliette, Kathleen, and Rosalind?
10. Kathleen notes that “Juliette didn’t know how lucky she was to have been born into her natural skin, into her white cheeks and porcelain-smooth wrists. There was so much luck to be had in the genetic lottery; one different code and it was a lifetime of forced adaptation.” Contrast the female characters’ experiences and examine the privileges of being cisgender, wealthy, having lighter skin, and speaking multiple languages. Use examples from the text, including women that are shown in only one scene. How do their identities influence how Juliette and the Lang sisters defy family duty and societal expectations? Are any justified in their actions? Explain your answer.
11. Though this story is a work of historical fiction, the “April 12 Purge” is a real event that occurred in Shanghai in 1927. Why do you think the author chose this time and setting to reimagine Romeo and Juliet? How would you remix Romeo and Juliet in contemporary times? What setting and political issues would you highlight? Share your answer.
12. The Nationalist Party leader instructs the Scarlets to kill all the Communists and to treat the White Flowers as such, risking annihilation of an entire group of people, including workers who have no affiliation, but could be caught at the wrong place and time. What is the impact of this action? Why do you think civilians, especially the working class, are so often casualties of war?
13. Compare strife and tragedy across social classes. Would a laborer working in a factory for sixteen hours a day have time to duel like Roma and Tyler? How would the story change if the main characters were poor?
14. “For thousands of years, the worst crime in China was a lack of filial piety. Having children with no xiàoshùn was a fate worse than death. It meant being forgotten in the afterlife, a wandering ghost doomed to starve when no offerings came in from irreverent descendants. . . . The West had corrupted them—and whose fault was that?” What is filial piety? How is respect for parents and ancestors demonstrated in your culture? Have you ever had to confront your family with a different idea than the one they taught you? What challenges arose?
15. When Kathleen masquerades as a university student publishing a piece on the Communist Party’s secretary-general, she describes it as “‘A study of power . . . and the madness that comes with it. A study of the powerful, and those who are scared of him. . . . The uncovering of the madness.’” She could be talking about the secretary-general or any combination of characters and situations. Discuss as a group how power, madness, and fear is manifested in the story. Use examples from the text.
16. “The gangsters could still join forces with the tired factory workers and their boycotts. Together, if only the Scarlet Gang wanted to, they could overrun the foreigners . . .” Knowing this, how do you feel about the gangs’ choice to rule over the city? How do the Scarlets and White Flowers perpetuate and heighten issues of violence, poverty, sickness, imperialism, the opium crisis, and more? Why doesn’t either gang unite with the working class? Support your response with examples.
17. How does Juliette’s loyalty to “her city, her gang, her family” change across both books? What do you think is more important: loyalty or survival? Explain your answers.
18. “When the choice was between protecting those you loved and sparing the lives of strangers, who would ever think that to be a hard decision?” How would you answer Juliette’s question? At what cost comes destruction and violence in the name of love? If you were Juliette’s or Roma’s friend and they told you how they felt about each other, how would you react? Do you think what they have is love? Share with the class.
19. Juliette suggests that if she had paid close attention, she could have supported Rosalind and found “something that made her place worth it.” Considering the theme of star-crossed lovers, do you think that it was inevitable that Rosalind would also fall in love with a White Flower? How and why is Rosalind and Dimitri’s relationship different from Juliette and Roma’s? Why does Juliette think Rosalind’s future and actions could be changed, but not her own?
20. There have long been scholars and critics who read Shakespeare’s plays with a queer and trans lens, examining the bard’s use of gender-bending in his stories. While these characters’ identities may not have been accepted in the 1920s, what is the significance of including explicitly queer characters and a trans character in Gong’s adaptation? Explain your answer.
1. Divide the class into two sides (Scarlets and White Flowers), and debate whether revolution is possible without violence. Consider alternative methods to create social change. Use moments in history and current events as examples. In this scenario, pretend the two sides are willing to set aside the blood feud.
2. Juliette and Roma frequently refer to “the city” personified as if the place is what causes violence and not people’s actions. What do you think about this? Choose a chapter and rewrite it from the city’s perspective.
3. For those who have read or seen Shakespeare’s Romeo and Juliet, characters and specific scenes from Gong’s adaptation will seem familiar. Choose a character, whether they exist in the original play or not, and create a character map that shows their character development and personality. If they’re a character that appears in the play, consider the differences and similarities. What catalysts propel their story across both books? What are the points of no return? You can create your map as a time line, an aesthetic board or video, a series of tweets, diary entries, or something else. Be prepared to present your map to the class, including a rationale on why you chose to represent it the way you did.
4. In These Violent Delights, Paul tells Juliette that some people are “‘too poor to deserve’” the vaccine. Then, in Our Violent Ends, the Scarlets fight Juliette’s plan to make a free vaccine that’s accessible to all. While the Covid-19 vaccine was free to all in the US, it has not always been easily accessible. Research the barriers and the groups of people who are disproportionately affected by inaccessibility to health care. Why do these barriers exist? Get into groups and choose one of the following: 1. Create informational material (i.e., a short video, pamphlet, zine, blog post, etc.) to report your findings. 2. Imagine you are a system of government. Outline a plan for how to address the issues you learned about.
5. Choose an overlapping theme from Shakespeare’s play and Gong’s books. Write an essay that explores how Gong’s retelling supports the theme through character, plot, setting, and style.
6. The first scene in Our Violent Ends involves Juliette, Kathleen, and Roma attending a silent movie screening. In groups, create a three-to-five-minute silent movie version of either book, including a movie poster. You can choose to include yourselves as actors, recruit friends and family, or find some other way to include “actors,” such as toys or illustrations. Find some examples on YouTube to get inspired.
Guide written by Cynthia Medrano, Digital Services Librarian at Heartland Community College, and member of the 2022 Rise: A Feminist Book Project Committee.
This guide has been provided by Simon & Schuster for classroom, library, and reading group use. It may be reproduced in its entirety or excerpted for these purposes.