"This is the finest crime series written by an American....There are few fictional characters we know so well; Harry is an old friend now."—
Patrick Anderson, Washington Post "Bosch has become one of the most popular and enduring figures in American crime fiction."— Kevin Nance, Chicago Tribune " The Black Echo introduced Connelly as the heir apparent to Raymond Chandler and also helped usher in a new approach to the police procedural. Now, twenty years later, Connelly is still writing about Harry Bosch, continuing to discover new layers to this now iconic character with increasingly complex and believable plots....Connelly makes him a fresh and original character each outing."— Oline H. Cogdill, Miami Herald "Bosch has become Mr. Connelly's most durable, well-entrenched creation."— Janet Maslin, New York Times "Connelly proves again that neither he nor Bosch has lost his touch."— Christian DuChateau, CNN "Harry Bosch is as formidable as he ever was."— Sherryl Connelly, New York Daily News "Connelly's writing is like the best flavor of ice cream: reliably delicious every time."— Jeff Ayers, Associated Press
Michael Connelly's Harry Bosch series has its highs and lows, but the latest installment is perched on a hilltop.
The Burning Room is the best Bosch book in years, not only because of its sharp dialogue and fast-paced detective wizardry, but also because it neither dawdles nor lets Harry get moody… The Burning Room finds Harry in his highest gear, making every minute of police work count. And it gives him just the kind of crazily convoluted case that fans of detective fiction love.
The New York Times - Janet Maslin
An autopsy opens Edgar-winner Connelly’s superb 19th Harry Bosch mystery (after 2012’s The Black Box). Orlando Merced, a mariachi musician, was transformed into a symbol for urban violence by an opportunistic mayoral candidate when he was wounded a decade earlier, a random victim of a drive-by shooting. Merced’s death prompts a reexamination of the case, and Bosch and his young new partner, Lucia Soto, get to work. With his usual deftness, Connelly links the Merced shooting to an act of arson—an apartment fire that killed nine on the same day—and returns to his perennial themes: local politics, the media, the LAPD’s internecine warfare, and, of course, Los Angeles itself, from the wealthy enclaves of Mulholland Drive to the barrios of East L.A. Bosch is very much of the old school in this high-tech world, but his hands-on tenacity serves him and the case well—just as Connelly serves his readers well with his encyclopedic knowledge and gifts as a storyteller. Agent: Philip Spitzer, Philip G. Spitzer Literary. (Nov.)
Orlando Merced is finally dead from the bullet that struck him in the spine and paralyzed him a decade ago as he played with his band in Los Angeles's Mariachi Plaza, and the LAPD's Open-Unsolved Unit has caught the case. Such investigations are rarely straightforward, but soon detectives Harry Bosch and his new partner, "Lucky" Lucy Soto, discover that the victim had ties to a mayoral hopeful, putting a political spin on their probe. Bosch has never had patience for political machinations, interoffice or otherwise, and he must juggle this complication along with an inexperienced and untested partner. Bosch finds himself in shark-filled waters with a murder case that turns out to be about much more. His love for the job and for the City of Angels, warts and all, and his fierce sense of justice are among the many things that make this series great. VERDICT Connelly's (The Gods of Guilt) exceptional gift for crafting an intricate and fascinating procedural hasn't faded a bit. Our protagonist remains, after 19 books, one of the most intriguing creations in crime fiction, even as he faces his impending retirement. A humdinger of an ending will have readers anxiously awaiting the next book. [See Prepub Alert, 5/12/14.]—Kristin Centorcelli, Denton, TX
The latest and most intricate of Harry Bosch's cold cases (The Black Box, 2012, etc.) begins with a victim who's still cooling off in the morgue.Orlando Merced was shot 10 years ago by a sniper who fired into his band, Los Reyes Jalisco, as it played on Mariachi Plaza. He's just now died of blood poisoning, but the coroner's office is calling it murder, since the cause was the bullet that's been lodged in his body all these years. Ex-Los Angeles mayor Armando Zeyas, who can't resist grandstanding on behalf of the dead man who played at his wedding, offers a $50,000 reward guaranteed to bring the crazies out of the woodwork, and one of the callers tells Bosch's very junior new partner, Detective Lucia Soto, that the shooting is linked to a 1993 fire at the Bonnie Brae apartments that killed nine victims, most of them children. Since Soto survived that fire as a child and had friends who didn't, she comes to full alert when the anonymous tipster claims Merced was killed because he knew who set the fire. The two crimes are both linked, it turns out, to another crime, the violent robbery of an EZBank the same day as the Bonnie Brae arson. Though the felonies may be ancient, Connelly (The Gods of Guilt, 2013, etc.) maintains a rapid pace, steadily increasing the tension even after the solution becomes obvious. Following Bosch's trail is like watching Lew Archer in the glory days of Ross Macdonald, except Connelly's focus is social, political and ultimately professional rather than psychological. Expect Bosch to uncover a nest of vipers as powerful as they are untouchable, but don't expect him to emerge from his Herculean labors a happy man.