Twelve Caesars: Images of Power from the Ancient World to the Modern

by Mary Beard

Overview

Notes From Your Bookseller

A sumptuously illustrated, beautifully designed, gloriously rich work of history from the distinguished classicist with a lively literary voice, an extraordinary eye for telling detail, and a grand sense of humor. Twelve Caesars is a masterful, brilliant work of detection, a joy to read.

From the bestselling author of SPQR: A History of Ancient Rome, the fascinating story of how images of Roman autocrats have influenced art, culture, and the representation of power for more than 2,000 years

What does the face of power look like? Who gets commemorated in art and why? And how do we react to statues of politicians we deplore? In this book—against a background of today’s “sculpture wars”—Mary Beard tells the story of how for more than two millennia portraits of the rich, powerful, and famous in the western world have been shaped by the image of Roman emperors, especially the “Twelve Caesars,” from the ruthless Julius Caesar to the fly-torturing Domitian. Twelve Caesars asks why these murderous autocrats have loomed so large in art from antiquity and the Renaissance to today, when hapless leaders are still caricatured as Neros fiddling while Rome burns.

Beginning with the importance of imperial portraits in Roman politics, this richly illustrated book offers a tour through 2,000 years of art and cultural history, presenting a fresh look at works by artists from Memling and Mantegna to the nineteenth-century American sculptor Edmonia Lewis, as well as by generations of weavers, cabinetmakers, silversmiths, printers, and ceramicists. Rather than a story of a simple repetition of stable, blandly conservative images of imperial men and women, Twelve Caesars is an unexpected tale of changing identities, clueless or deliberate misidentifications, fakes, and often ambivalent representations of authority.

From Beard’s reconstruction of Titian’s extraordinary lost Room of the Emperors to her reinterpretation of Henry VIII’s famous Caesarian tapestries, Twelve Caesars includes fascinating detective work and offers a gripping story of some of the most challenging and disturbing portraits of power ever created.

Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC

Product Details

ISBN-13:	9780691222363
Publisher:	Princeton University Press
Publication date:	10/12/2021
Series:	The A. W. Mellon Lectures in the Fine Arts , #669
Pages:	392
Sales rank:	11,444
Product dimensions:	9.50(w) x 6.70(h) x 1.60(d)

About the Author

Mary Beard is one of the world’s leading classicists and cultural commentators. A specialist in Roman history and art, she is professor of classics at the University of Cambridge and the author of bestselling and award-winning books, including SPQR: A History of Ancient Rome and Women and Power: A Manifesto. She has also written and presented many television programs, from Civilisations and Meet the Romans to The Shock of the Nude. She lives in Cambridge, England. Twitter @wmarybeard

Table of Contents

List of Tables viii

Preface ix

Chapter I The Emperor on the Mall: An Introduction 1

Chapter II Who's Who in the Twelve Caesars 43

Chapter III Coins and Portraits, Ancient and Modern 78

Chapter IV The Twelve Caesars, More or Less 118

Chapter V The Most Famous Caesars of Them All 151

Chapter VI Satire, Subversion and Assassination 188

Chapter VII Caesar's Wife … Above Suspicion? 235

Chapter VIII Afterword 274

Acknowledgements 287

Appendix: The Verses underneath Aegidius Sadeler's Series of Emperors and Empresses 289

Notes 303

Bibliography 335

List of Illustrations 358

Index 368

What People are Saying About This

From the Publisher

“As this book triumphantly demonstrates, there is no one on the face of the planet better qualified than Mary Beard to guide us through the great hall of mirrors, labyrinthine and treacherous as it is, that separates us from the Twelve Caesars.”—Tom Holland, author of Rubicon: The Last Years of the Roman Republic

“Deftly weaving together past and present, this elegantly written book analyzes the allure of Roman imperial iconography from the early modern period up to the present day. Often reading like a detective novel, it focuses on the formation of a canonical group of twelve Caesars that were invented and reinvented, interpreted and reinterpreted, for purposes that varied from a simple lust for collecting to political self-fashioning.”—Patricia Fortini Brown, author of The Venetian Bride: Bloodlines and Blood Feuds in Venice and Its Empire

“An exceptionally well written and lively book, there is nothing like Twelve Caesars. The book is consistently informative and entertaining. The range of reference across art history from the fifteenth to the twentieth centuries, as well as in the author’s more expected arena of command in antiquity, is staggering and deeply impressive.”—Jaś Elsner, author of Roman Eyes: Visuality and Subjectivity in Art and Text

“Ancient Rome emitted a haze of distorting myth throughout all of later Western history. It was the task of most classicists to fight their way back through the intervening murk of multiple ‘Romes’ to the actual Rome. But Mary Beard, who has been a great fog dispeller from real Rome, knows that later ‘Romes’ were real to the cultures that harbored or dreamed them up. Thanks to her experience with TV cultural education, Beard is a superb visual teacher. A good example is this book’s chapter on later reverence for ancient coins. Nothing could be drearier than classical treatises on Roman coins, crowded with tiny black blurs on a page, so small as to seem indistinguishable until one takes up a magnifying glass to discern the imperfections of the minting process. Here one finds later creative uses of coins—as models for other works of art, or as set in brilliant jewelry, or as promoted by daft but wealthy collectors. What a relief.”—Garry Wills, author of Rome and Rhetoric

Editorial Reviews

"[A] fascinating book, which embarks on a study of not just the Julio-Claudian dynasty of caesars made infamous by Suetonius and Robert Graves but also of their ubiquitous iconography – in statues, on coins, in paintings and sculpture. It’s an eye-catching field guide to these famous ancient rulers."

Christian Science Monitor

"An enthralling story of how images of Roman emperors have influenced art, culture, and the representation of power for more than 2,000 years. . . . Drawing on a wealth of research, and a multitude of paintings and sculptures, Beard explores the importance of portraits in Roman politics and provides interesting insights into famous pieces of art. A fascinating book."

Canberra Weekly

"Twelve Caesars is fascinating and not only because its author writes so engagingly. Many years in the making, the world into which it will be born is not quite the same as the one in which it was conceived. Its preoccupations – essentially, it’s about the way that images of Roman emperors from Caesar to Domitian have influenced culture across the centuries – are suddenly and newly of the moment in a Britain that has become completely fixated with statues."—-Rachel Cooke, The Observer

From the Publisher

"With her reputation for viewing Roman history through a feminist lens, Mary Beard may be the most popular classicist in the world. . . . Focusing on images of power throughout the ages, from ancient Rome to the present, [Twelve Caesars] will only grow her fan base."

ARTnews Magazine

"This thoroughgoing survey examines the relationship between ancient imperial imagery and the modern visual imagination. . . . With handsome illustrations of coins, canvases, frescoes, and teacups, Beard brings the prestige and power of these emperors’ half-invented faces into tighter focus."

New Yorker

"A sumptuously illustrated, beautifully designed, gloriously rich work of history from the distinguished classicist with a lively literary voice, an extraordinary eye for telling detail, and a grand sense of humor. Twelve Caesars is a masterful, brilliant work of detection, a joy to read."

B&N Reads

"What better escape from the woes of our present day than rolling around in the intrigues of the Roman Empire? Naughty Caesars! Pictures too! Avidly I plunge in!"

Margaret Atwood

"This deeply researched account explores how Roman art has shaped the Western world’s understanding of power for two millenniums, from ancient Roman imperial portraits to the work of the 19th-century American sculptor Edmonia Lewis."

New York Times

"What better escape from the woes of our present day than rolling around in the intrigues of the Roman Empire? Naughty Caesars! Pictures too! Avidly I plunge in!"

Margaret Atwood on Twitter

08/01/2021

Images of Roman emperors have been emblems for centuries, even as they change in meaning and medium throughout time, from sculptures to coins to tapestries to paintings. Classicist Beard (Univ. of Cambridge; SPQR: A History of Ancient Rome) argues, with characteristic incisive prose and wit, that we can learn much about an era from its images of the central "Twelve Caesars" and the way they were used and understood at that time (despite disagreement on that canon of caesars). She also argues that in spite of the evolution of the Twelve Caesars in image and concept, some aspects of the narrative never changed. Beard explains that wishful thinking and misreadings of Latin abound in establishing the identities and provenances of artworks and antiquities depicting Roman emperors. When the symbolism of a portrait would seem to go against the ideological tenor of its era, Beard cuts through scholarly speculation; she points out that anachronism might result from simple misidentification or the prosaic decorative and acquisitive aspects of collecting imperial images. Assembling a full set of caesars was, and is, a common pursuit of collectors, Beard writes, and for rich and powerful collectors, it was all the better if the portraits tied their owner's legacy to the continuity of Roman power. Extensive illustrations of emperors and their likenesses are featured throughout the book. VERDICT Based on a series of Beard's lectures, this lavishly illustrated volume will be accessible and interesting to a wide variety of readers; a must-read for anyone interested in classics or art history—Margaret Heller, Loyola Univ. Chicago Libs.

Library Journal

★ 2021-08-25
The renowned classicist and bestselling author of SPQR (2015) considers Rome’s first rulers as they have come down to us in marble, stone, coins, and metals.

During the time of the Roman Empire, artists churned out an avalanche of portraits of Rome’s emperors, a trend that continued after their deaths, beyond the fall of the empire, and during the centuries following up to the modern age. Suetonius’ The Twelve Caesars, which later became one of “the most popular history books of the European Renaissance,” contains the only surviving physical descriptions. Many modern historians, however, consider his stories “the gossip of the palace corridors, or even outright fantasy, but…they have become inextricably part of our view of Roman emperors.” No statue from ancient times has a label; this is not the case with innumerable Roman coins minted during their reigns, but the tiny heads are little help. Beard points out that beginning in the Renaissance, rulers and wealthy patrons not only collected images of emperors and their consorts—or, more likely, a copy, fake, or image of someone else—but they also began portraying themselves as if they were Roman. A leading scholar as well as a writer of bestsellers, Beard, as always, asks important questions: What did the Caesars look like? Did the artists themselves care? Why did European plutocrats, aristocrats, and monarchs like to see themselves in togas? She leads us through the best available evidence (even if it’s not always satisfying) and delivers insightful answers in lucid prose accompanied by dazzling images. Along with a steady stream of commentary on portraits, sculptures, and prints, the author devotes long sections to artistic masterpieces, including tapestries, murals, enormous historical paintings, and Titian’s spectacular room of the Caesars (11 of them, not Suetonius’ 12), now lost.

A lively treatise on Roman art and power, deliciously opinionated and beautifully illustrated.

Kirkus Reviews