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Where the Light Falls

Where the Light Falls

by Allison Pataki, Owen Pataki

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Overview

A rich and sweeping novel of courage, duty, sacrifice, and love set during the French Revolution from New York Times bestselling author Allison Pataki and her brother Owen Pataki

Three years after the storming of the Bastille, the streets of Paris are roiling with revolution. The citizens of France are enlivened by the ideals of liberty, equality, and fraternity. The monarchy of Louis XVI and Marie Antoinette has been dismantled—with the help of the guillotine—and a new nation is rising in its place. Jean-Luc, an idealistic young lawyer, moves his wife and their infant son from a comfortable life in Marseille to Paris, in the hopes of joining the cause. André, the son of a denounced nobleman, has evaded execution by joining the new French army. Sophie, a young aristocratic widow, embarks on her own fight for independence against her powerful, vindictive uncle. 

As chaos threatens to undo the progress of the Revolution and the demand for justice breeds instability and paranoia, the lives of these compatriots become inextricably linked. Jean-Luc, André, and Sophie find themselves in a world where survival seems increasingly less likely—for themselves and, indeed, for the nation.

Featuring cameos from legendary figures such as Robespierre, Louis XVI, and Thomas-Alexandre Dumas, Where the Light Falls is an epic and engrossing novel, moving from the streets and courtrooms of Paris to Napoleon’s epic march across the burning sands of Egypt. With vivid detail and imagery, the Patakis capture the hearts and minds of the citizens of France fighting for truth above all, and for their belief in a cause greater than themselves.

Praise for Where the Light Falls

“Compulsively readable . . . a compelling tale of love, betrayal, sacrifice, and bravery . . . a sweeping romantic novel that takes readers to the heart of Paris and to the center of all the action of the French Revolution.”Bustle

“Succeeds in forcefully illustrating the lessons of the French Revolution for today’s democratic movements.”—Kirkus Reviews

“Devotees of Alexandre Dumas and Victor Hugo will devour this tale of heroism, treachery, and adventure.”—Library Journal 

“This is a story of the French Revolution that begins with your head in the slot watching how fast the blade of the guillotine is heading for your neck—and that’s nothing compared to the pace and the drama of what follows.”—Tom Wolfe


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Product Details

ISBN-13: 9780399591693
Publisher: Random House Publishing Group
Publication date: 07/11/2017
Sold by: Random House
Format: NOOK Book
Pages: 384
Sales rank: 171,046
File size: 9 MB

About the Author

Allison Pataki is the New York Times bestselling author of The Traitor’s Wife, The Accidental Empress, and Sisi. The daughter of former New York State governor George E. Pataki, she graduated cum laude from Yale University with a major in English. Her novels have been translated into more than a dozen languages. A former news writer and producer, Pataki has written for The New York Times, ABC News, The Huffington Post, USA Today, Fox News, and other outlets. She has appeared on Today, Fox & Friends, Good Day New York, Good Day Chicago, and MSNBC’s Morning Joe. A member of the Historical Novel Society, she lives in Chicago with her husband.
 
Owen Pataki graduated from Cornell University in 2010 with a degree in history. He served as a first lieutenant in the United States Army, with one deployment to Afghanistan. Following his service in the military, he attended film school in London. He now lives in New York, where he is working as a screenwriter and filmmaker. This is his first novel.

Read an Excerpt

1

Paris

September 1792

The heat had finally broken, ushering in what the Parisians were calling “le répit.” The reprieve. If spoken in another context, it meant grace, though there was little of that to be had in the city that summer. Not now—­now that the new invention had been permanently installed in La Place de la Révolution. Crosses had been torn from the altars of churches, cross-­shaped pendants ripped from women’s breasts and tossed into the filthy gutters that emptied red into the Seine. In many public places, the image of the cross was replaced by the nation’s new holy icon: the guillotine.

On the Left Bank, in a narrow street of sunbaked houses, every window was ajar, so that any resident could tell you with some precision about the comings and goings of each occupant in the adjacent flat or home. On this morning, the couple living on the east corner, above the tavern, was quarreling—­fighting over money, or the heat, or the stale bread that was supposed to have lasted for days. The couple across from them, based on the sounds issuing from their bedchamber, had made up from last night’s quarrel. And a dog on the street, its ribs jutting out from under its tawny coat, had found a prize stew bone, which it had dragged out of the tavern and onto the street, where it now sat gnawing, hoping to coax every last bit of marrow from within.

“Why, you mangy beast, that’s where it’s got to!” Madame Grocque, the wife of the tavern keeper, lurched out of her door and swiped at the dog with her broom. Seizing on the mutt’s momentary shock, she stooped down and snatched the bone with her thick, dirty fingers. The dog, recovered from its beating, jumped at the woman, fixing his teeth on the treat she would deny him.

“You worthless creature, I’ll skin you and throw you in the stew alongside this bone! It’d do us good to get a bit o’ fresh meat.” Madame Grocque kicked at the animal, but the mutt refused to release the first morsel it had scrounged in days.

From a window on the top floor of this dwelling, a young man, not quite thirty years of age, dropped his quill and listened to the raucous activity below. Rubbing his eyes, he sighed. “Soon. Someday soon we’ll get out of this neighborhood.”

“Jean-­Luc?” his wife called from the other side of the door, her voice mixing with the familiar morning sounds of clanging dishes and the crying baby. “Won’t you have any breakfast before you leave?”

“Coming, Marie.” The lawyer pushed himself away from the desk in the corner of the bedroom. Standing, he rolled up his papers and loaded them into his satchel. He crossed the small room in two strides, reaching for the vest and threadbare jacket that she had set out for him. When he had dressed in his plain gray suit, he checked his reflection in the filmy glass of the cracked mirror. Was that a gray hair he spotted? He leaned in closer, sighing. After the year he’d had, he wouldn’t be surprised if there were quite a few gray hairs streaking his dark ponytail. His hazel eyes now stared back at him from within a thin web of unfamiliar lines, a new one seeming to appear each week.

In the other room, the chamber that served as kitchen, dining room, and living room all in one, Marie stood with the baby balanced on her hip. She smiled when she spotted Jean-­Luc in the door. “Will you take some coffee?”

“Hmm?” He leaned in and kissed them both, first his wife and then his son.

Marie leaned her head to the side, lifting the pot with her free hand.

“Oh, right. Coffee, yes. Please.” Jean-­Luc sat at the table before a plate of black bread, the remnants of yesterday’s loaf, and a square of hard cheese. Marie served him watered-­down coffee as he cleared the papers that he had left strewn across the table. She had every window open, but the air in their top-­floor flat hung stale and oppressive from the months of thick heat.

“You were tossing and turning all night.” Marie shifted the baby and sat down across from her husband at the small table. “Trouble sleeping again?”

He swallowed a piece of the hard bread, nodding. Outside, the old Grocque woman still hollered at the dog, the beast yelping in response to another swipe of her broom. Marie looked from her husband to the open window and rose to close it.

“No, leave it open.” He reached for her hand and kept her at the table.

“Next time you decide to work in the middle of the night, you might try moving out here to—­”

“I know. I should come out here so that I don’t wake you and Mathieu. I’m sorry.” He sipped the thin coffee as she sat back down. “Will you forgive me for imposing my accursed sleeplessness on you?”

She narrowed her eyes and reached for a piece of his cheese, which she broke off between her fingertips and began to nibble. “I suppose. But it’s getting worse, you know.”

“What is?”

She leaned her head to the side. “Your accursed sleeplessness.”

“I know,” he replied. They sat opposite each other in silence, he eating his breakfast, she nursing the baby. After several minutes, he propped his elbows on the table and cleared his throat. “I think I’m going to take the Widow Poitier’s case.”

Stroking the baby’s cheek, Marie lowered her eyes, and Jean-­Luc waited for her reaction. After a pause, she said: “She can’t pay, can she?”

He shook his head, no.

She looked up at him, her brown eyes serious. “You’re a good man, Jean-­Luc St. Clair.”

He took his coffee in his hands, concealing his grin. Her approval, these days so difficult to get, always elicited that grin from him. He looked at her now, her arms full with his baby, her eyes holding his own steadily. “So then, my beloved wife, you’ve forgiven me for removing you from your beloved south and bringing you to languish in this cramped garret?”

“Forgiven you?” Her lovely eyes widened, her lashes fluttering a few times, reminding him of the girl who had bewitched him. How glorious she was, still. “Who said anything about forgiving you?” She offered half a grin, and he couldn’t resist the urge to lean forward and kiss her.

He had moved her from the south of France just over a year ago, only a few months after they had been married. Her father had a steady, if not excessively lucrative, legal practice just outside of Marseille, not far from the village where Jean-­Luc’s family had owned a small plot of land since the time of the Sun King, Louis XIV.

The St. Clair family had sustained the comfortable farmhouse on the small but fertile plot for centuries. It wasn’t until his father’s assumption of the property that the fortunes of the family—­and indeed of the region, and all of France—­had deteriorated so drastically. They had been forced to sell off most of the property, keeping only a half acre with one milk cow, a handful of chickens, and the house for the widower and his son, Jean-­Luc. It wasn’t from a lack of industriousness that Jean-­Luc’s father had lost the family land; old Claude St. Clair had been a faithful steward of his family’s assets. He was simply another victim of the droughts and crippling financial circumstances that had plagued the rest of the country under the latest Bourbon king, the heir of the Sun King’s heir, the most reviled man in France: Louis XVI. Yet, His Majesty could not be considered the most reviled monarch in France; that moniker went to his Austrian-­born wife, Marie-­Antoinette.

When it had come time for Jean-­Luc to plan his own future, he’d taken his father’s advice and had applied himself to the study of law. What else was there for him? The land was gone; there was no longer wealth to be had in farming, unless you were a nobleman who skimmed the profits from the peasants and then paid no taxes on that bounty. His mother had died in his early boyhood; his only sibling, a sister five years older, had married at the age of sixteen and had been living an ocean away in the New World colony of Saint-­Domingue. Other than the handful of letters he’d received from her over the years, Jean-­Luc St. Clair, prior to beginning his legal studies in ­Marseille, had been occupied chiefly by attending to his elderly father.

Jean-­Luc had enjoyed his time at school, which offered more excitement and opportunity than he could find in his lonely, quiet home. Having excelled in his studies at Aix-­Marseille University, the ambitious young lawyer sought something greater than the small hometown magistrate’s office. He applied for a position as a low-­level attorney at a reputable law practice closer to Marseille. Meeting and falling in love with Marie Germaine, his employer’s pretty daughter with thick brunette curls and quick, pert opinions, had been an unexpected but happy windfall.

Jean-­Luc had been employed in his new office, his bride happily installed in their comfortable cottage on her father’s estate, when the news reached Marseille that King Louis and Queen Marie-­Antoinette had been plucked from their gilded palace at Versailles and moved back to Paris, where they’d been forced to live among their people. Jean-­Luc, a budding idealist whose family’s hopes had been nearly extinguished under an inept monarch, and who had followed with great interest the crafting of a nascent republic in the American colonies, had longed to ride to Paris like so many of his young fellow countrymen. He did not hide his desire to join the people and sacrifice his worldly comforts and, if necessary, his life, in the name of liberty. Would it not be shameful, he asked Marie, to be born in this era of history and yet shrink from the glorious undertaking of a free people rising up in the name of liberty, equality, and fraternity?

Mathieu arrived six months after their relocation to Paris, and Jean-­Luc had been grateful of it. Marie was less lonely with the dark-­haired little boy, who shared her coffee-­colored eyes and spirited personality, to fill the long hours while Jean-­Luc worked as a low-­level administrative attorney for the new government. They had settled in this two-­room garret—­drafty in the winter, stifling in the summer—­as it was all that his modest government salary could afford. His father-­in-­law, furious at Jean-­Luc for taking his daughter so far north, had refused to support the move. If he could only see how she was living now, Jean-­Luc thought, looking around at their cramped quarters. They, being from the south, had never known the bitterness of a northern winter until this past year. Nor had either of them ever passed a summer without the salty sea breezes and shade of the fragrant citrus trees. It had been a trying year for both of them.

But Marie, bless her, never complained; she never held it against Jean-­Luc that he had removed her from her father’s comfortable home to this loud, dirty city. A place where, on more than one occasion, they’d had to choose between food and fuel. She was tough, yes. But that was also because she was, Jean-­Luc suspected, as much of an idealist as he was, even if she would never have dared admit it.

“Mr. Bigwig, you are, with your own carriage this morning.” Marie had risen from the table and was looking out the small window, Mathieu fussing as she tried to burp him.

Jean-­Luc took a last bite of rough bread and drained his coffee. “It’s Gavreau. He plans to send me out on one of his cases. Knows I won’t mind as long as I’ve got the carriage.”

“What’s the case?”

“Another mansion. This one belonging to a nobleman who lives . . . ​well, used to live, in Place Royale.” Jean-­Luc collected the remaining papers strewn across the table and stuffed them into his packed portefeuille. “The Jacobins want to use the house.”

Marie nodded, arching an eyebrow. “So they’ve sent the carriage for you.” He was privileged to have the job he had, even if the salary was insufficient. More than half of Paris was starving, and he rode a carriage to work some days.

His work dealt in cataloging property as it was seized from the wealthy families, former treasure of the ancien régime, now as obsolete as the old order itself. Daily inventory of seized goods—perhaps it was not as stimulating or significant as the work he had hoped to find; perhaps he was not playing a tremendously important role in building the new France—at least not yet. But before they could build the new country, someone had to figure out the proper way of dismantling the former one. For now, that was his work, to manage the spoils until the state had decided what to do with them. As for the former proprietors whose treasures he now catalogued, Jean-­Luc rarely heard mention of them, and perhaps he did not want to.

“What happened to the family?” Marie, as usual, had reached directly into his mind and plucked out his thoughts with her uncanny insight. She held his gaze with her earnest brown eyes as the baby began to cry on her hip.

“Pardon?” Jean-­Luc tugged on the hem of his jacket.

“You said you’re going out to a nobleman’s house in Place Royale to collect the family’s goods. What happened to the family?”

“I’m not sure.” He shifted his weight, looking back down toward the papers. “They are already gone, from the sound of it. Prison?” Fortunately, he usually visited the grand houses after the occupants had been dragged from their chambers and thrown in the dungeons at the Conciergerie, La Force, or Les Carmes. He’d heard the rumors—­reports from colleagues who had visited the prisons. He suspected that if he were to witness the conditions for himself, his current troubles sleeping would grow much worse. Best not to dwell on such negative thoughts, he reminded himself. Best to remember the noble work they were doing, bringing liberty, equality, and fraternity to a people long subjugated by inept Bourbon despots and their callous aristocrats.

Sighing, he looped his portefeuille under his arm and crossed the room toward his wife. “I’m late.”

“We could always go . . . ​back . . . ​you know.” Marie avoided her husband’s gaze now, bouncing the baby in an attempt to calm him. “If it’s getting to be too much. If it’s not what you thought it would be.”

Reading Group Guide

1. This novel begins with a scene at the guillotine, one of the bloodiest and most iconic symbols of the French Revolution, specifically its Reign of Terror. Why do you think the authors begin the story in this way? What role does the guillotine play throughout this novel? How does this opening scene compare to the epilogue, which plays out before Notre Dame Cathedral at the coronation of Emperor Napoleon?

2. The characters in Where the Light Falls frequently mention the ideals of the Enlightenment and its impact on the French Revolution. Do you believe the Revolution was born out of the Enlightenment? Why or why not?

3. This book has many examples of mentors or father figures guiding younger people, some more positive than others. Discuss some of these mentors. Whom did you find to be the most inspiring? Whom did you find to be the most malicious?

4. Compare the French Revolution with the American Revolution of just a few years earlier. Why do you believe they were so different? Were they similar in any way? How would the characters of Where the Light Falls compare the two?

5. Compare and contrast the two discussions André Valière has on the eve of the battle of Valmy. One is with General Murat, the other with General Kellermann. What message was each older man was trying to send, and which had a stronger effect on André? Why?

6. In this story, Jean-Luc St. Clair struggles to balance his obligations to his family as a father and a husband with his duties as a lawyer, citizen, and republican fighting for his beliefs. Does he strike an appropriate balance between the two, or does he fall short in his obligations to one or the other? Why?

7. Sophie de Vincennes tells André of her forced marriage at a very young age to a count. Discuss the obstacles and opportunities women of this time period faced. Find three women from this period and list some of the obstacles they faced and how they overcame them (or did not).

8. Guillaume Lazare is a fictional character based on several real-life French revolutionaries. Who do you think were the real individuals that his character is based on, and what similarities or differences do you find between the character and the real historical figures?

9. Compare Napoleon’s expedition to Egypt with more recent interventions in the Middle East and North Africa. Are there any similarities between the conquest explored in this book and contemporary conflicts? How are they different?

10. Were you surprised by the revelation of the true identity of the writer known as Citizen Persephone? Why or why not? Why do you think the writer kept his or her identity a secret?

11. The Widow Poitier plays a small but significant recurring role throughout this novel. Discuss this powerless peasant woman and the significance of her appearances in Jean-Luc’s life.

12. Consider the character of General Thomas-Alexandre Dumas, based on the historical figure of the same name, the father of the celebrated French writer Alexandre Dumas. What did you learn from his life story? Were you surprised by the role he played in André’s fate?

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